Alexander, Elizabeth |
“I Want to Know What Love is” -Fucking Åmål: The Mediascapes and Rhizomes of American Influences in Scandinavian Film at the Millennium |
Aston, Jesse |
Nietzsche’s “Strength”: A Defense |
Book, Ruth |
“Life in unison with a multitude”: Artistry in George Eliot’s The Spanish Gypsy |
Cai, Hequn |
Something Extraordinary about a Depressed Youth |
Chou, Megumi |
Iago, the Spaniard of Venice |
Daley, Alexander |
A Search for Power: The Role of Female Ambition in Emma and To the Lighthouse |
Galletly, Robert |
Focalization in Modern Films |
Gonzalez, Sophia |
Race and Female Speech in The Tragedy of Mariam and The Renegado |
Hicks, Marissa |
Breaking Down Barriers One Laugh at a Time: An Examination of Political and Social Satire in Muslim American Ethnic Comedy |
Jensen, Caitlin |
The Silenced Mind: The Feminine Voice and Its Importance to Cognitive Narration |
McClendon, Kristina |
Henry James’s The Portrait of a Lady: Deconstructing Isabel Archer’s Feminist Facade |
Nakamura, Jenna |
Time Progression and Reader Investment in Autobiographies |
Newlin, Judith |
The Educational Value of Reading: a Cognitive Approach |
Orozco, Ashley |
Chicana Poetry: One New Voice and Where It Stands |
Petoscia, Genna |
Fifty Shades of Narrative |
Ramirez-Chavez, Lisbet |
Haunting Female Figures: Coleridge’s Influence on Plath’s "Lady Lazarus" |
Ratanapratum, Alexander |
Seeing the Self and Self Seeing: Sexuality in Charles Burns' Black Hole |
Szanter, Ashley |
Chaucer’s Parody of Literature’s Conventions of Courtly Love |
Tadayon, Elmira |
Sherwood Anderson’s “Grotesques”: Characters as Human Truths, Not Human Minds |
Taylor, Paulina |
From Egocentrism to Selflessness: Gwendolen Harleth’s Moral Rebirth in Daniel Deronda |